When director Desiree Akhavan introduced her adaptation ofJ’peux Pas J’ai crossfit shirt Emily Danforth’s novel The Miseducation of Cameron Post at its Sundance world premiere, she said there were no queer John Hughes films when she was growing up. While Hughes’ films are beloved by many including myself I think she’s selling her own work a little bit short by suggesting that comparison. Her film about a teen gay conversion retreat has humor, but isn’t jokey, and while its drama doesn’t speak down to young people, it won’t leave adults feeling out of the loop. This is a gripping and sad drama that puts a tremendous amount of faith in its performers and audience, and for all the emotion and tenderness in the rest of this year’s Sundance crop, this is the first film that left me a complete broken-down mess by the end.
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We open inJ’peux Pas J’ai crossfit shirt 1993 with Cameron Chloë Grace Moretz, a teen in love with one of her female classmates. When the pair get caught in a moment of intimacy at a high-school dance (by Cameron’s date, no less!) she is quickly packed up and sent off to “pray away the gay.” What follows is a hybrid of an institution film and a summer camp film, with a remarkable set of characters, no real villains and an exquisite eye for detail.The closest we’ll get to a Nurse Ratched is Jennifer Ehle’s Dr. Marsh. It’s her job to let the isolation and groupthink of the surroundings brainwash the kids into thinking that their natural impulses are temptations from Satan, and the power of prayer is the only path to salvation. She isn’t cruel, she’s just persistent. In any other context, she’d even be something of a hero.
