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It’s ironic that Venditti’s approach to casting is now practically standard issue. Walter Pearce and Rachel Chandler of Midland Agency have carved their own niche scouting weird and wonderful faces—most with unexpected backstories—for the likes of Gucci and Marni, while Eva Gödel of the Düsseldorf-based model agency Tomorrow Is Another Day, which launched in 2010, became the go-to for willowy, artsy boys with unconventional looks, not coincidentally around the same time that Hedi Slimane returned to menswear at Saint Laurent and then Celine. “The street casting thing is a big thing now, but a lot of these girls—Paloma [Elsesser], Jane [Moseley], Eliza [Douglas] for Balenciaga—we were proposing them to people years ago and they weren’t interested,” says Venditti. “Paloma couldn’t get an agency, can you believe it? We tried to help her get an agency years before what you see now.” She’s keen to emphasize there’s no bitterness there; when it comes to the fashion world embracing her pioneering approach to casting, she’s philosophical. “I’m happy about it,” she says. “This is the world I’ve been living in for years. I think they’re finally doing it in a way that isn’t tokenistic, too. Mostly, I’m just happy it finally exists.”
A breakout moment came in the ’90s with a campaign for Yohji Yamamoto in Budapest, revealing to other major fashion houses the thrilling possibilities of casting the net wider than the big modeling agencies. But by this time, Venditti’s innate storytelling instincts were beginning to pull her elsewhere. “I thought I was really into fashion—which I am—but I think in terms of the work, I’m more into the story that the fashion tells,” Venditti says. “I loved that process of figuring out who told the right story in the right look. And that’s when I started to move away from fashion, I think. I just felt, I want to go deeper.”
In keeping with the serendipitous nature of her discoveries over the years, Venditti’s introduction to the world of film and television happened as the result of a chance meeting—well, two. After becoming particularly enamored with a 15-year-old boy named Billy she met in a high school cafeteria in Maine while on a scouting trip, Venditti made her debut as a filmmaker with the documentary short Billy the Kid, focused on the eccentricities of this seemingly regular teenager and the emotional turmoil that bubbled just under the surface. It was a revelation, winning the top documentary feature award at the South by Southwest Festival in 2007, and attracting the attention of both Ryan Gosling, who was preparing his first venture into directing, and the Safdie brothers, who also had a short premiering at the festival.
Product detail for this product:
Suitable for Women/Men/Girl/Boy, Fashion 3D digital print drawstring hoodies, long sleeve with big pocket front. It’s a good gift for birthday/Christmas and so on, The real color of the item may be slightly different from the pictures shown on website caused by many factors such as brightness of your monitor and light brightness, The print on the item might be slightly different from pictures for different batch productions, There may be 1-2 cm deviation in different sizes, locations, and stretch of fabrics. Size chart is for reference only, there may be a little difference with what you get.
- Material Type: 35% Cotton – 65% Polyester
- Soft material feels great on your skin and very light
- Features pronounced sleeve cuffs, prominent waistband hem and kangaroo pocket fringes
- Taped neck and shoulders for comfort and style
- Print: Dye-sublimation printing, colors won’t fade or peel
- Wash Care: Recommendation Wash it by hand in below 30-degree water, hang to dry in shade, prohibit bleaching, Low Iron if Necessary
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